BILL PERFORMS WITH SIR JAMES GALWAY
"Sir James and Lady Jeanne Galway (Oct. 25, Koerner Hall). Gala night of the new Royal Conservatory season has the Irishman and his partner showing off their charm and expert command of the flute, managing the neat trick of pleasing the purists while being pop-friendly. The program runs from Debussy to Henry Mancini to Irish folk. Top Canadian flautist, Bill McBirnie, guests to throw a jazz set into the night, stretching the Galways’ wide-open repertoire even further."
GRAIN OF SAND WINS A GLOBAL MUSIC AWARD
Grain of Sand (Bill McBirnie & Bruce Jones - Extreme Flute) was awarded a Silver Medal in the Instrumentalist category at the 2015 Global Music Awards.
[Note: The Global Music Awards (GMA) is a top-tier music competition that honors great musicians and serves as a showcase for musical gems and unique voices the world over.]
A SPECIAL JAZZ.FM91 PODCAST - "SPEAKING LIKE A CHILD"
This Jazz.FM.91 podcast outlines some of the music that influenced Bill as a child. It is about an hour long and, in the course of a genuinely engaging playlist, you will learn a good deal about what Bill first heard as a child and what he then began to listen to as he was growing up in the small town of Port Colborne, Ontario. Simply click here to listen.
DESVIO - NOW UP FOR A TIMA!
Desvio, Extreme Flute (A Bill McBirnie/Bruce Jones Collaboration) has been nominated for a 2015 Toronto Independent Music Award in the "Best Jazz Instrumental" category.
NEW RELEASE - BILL MCBIRNIE & BRUCE JONES - GRAIN OF SAND
The latest Extreme Flute release, Grain of Sand, features Bill McBirnie on flute, alto flute and piccolo along with the multi-talented singer-songwriter, Bruce Jones. Grain of Sand consists of original material in a variety of Brazilian formats—but with lots of improvised flute work! As a a teaser, you can listen to (…and download!…) the opening track here.
Here are a couple of early responses to Grain of Sand:
- “…McBirnie’s brilliant flute technique and sensitive improvisatory style happily unite with Jones’ diverse skills and genuine gift for songwriting as they demonstrate their shared love for Brazilian music. You will sense the empathy between them immediately, from the opening track of the album, “Grain of Sand”, where bossa nova is fused with the plaintive melody of traditional Portuguese fado. Flickering like a candle caressed by the wind, the sound of Bill’s flute enchants the listener, right from the opening few bars. And following this tender opening comes a whirlwind of samba rhythms combined with hip-hop vocals and yet more flawless flute improvisation on “If I Stay With You”. Just these two opening tracks portray the scope of moods in the music awaiting you on the rest of this album!…” LEONID AUSKERN (JazzQuad.ru)
- “…A fine album! I look forward to playing the tracks on Stolen Moments!...” DAVID BASSKIN (Jazz.FM91, Canada's premier jazz station)
Finally, a complete track listing is appended below in order to give you some idea of the content of the album.
(1) Grain of Sand (Grão de Areia) 4:50 - fado, bossa nova (instrumental) (2) Se Eu Fico Com Você (If I Stay With You) 5:03 - hip-hop, samba, rock (with voice) (3) Quando A Chuva Cai (As The Rain Falls) 4:43 - ambient (instrumental) (4) Izabel (Isabel) 4:06 - bossa nova (with voice) (5) Lembrando Paul Horn (Remembering Paul Horn) 2:08 - ambient (instrumental) (6) Breque Trio a Trêz (Break Samba Trio for Three) 4:42 - samba de breque (instrumental) (7) Carnaval Blue (Blue Carnival) 3:27 - funk, samba (with voice) (8) Vai Bem Devagar (Proceed With Caution) 5:26 - 6/8 bossa (instrumental) (9) Cê Tá Com Tudo (You Are Everything) 4:45 - samba, rock (with voice) (10) A Ponte Para Carlton (The Carlton Bridge) 4:35 - 6/8 afro brasil (instrumental) (11) Na Quinta Esquina (On The Fifth Corner) 4:07 - ambient (instrumental) (12) Motel Cê Que Sabe (...Who Knows Motel...) 5:08 - flowing samba (instrumental) (13) Com ou Sem Você, Meu Amor (With or Without You, My Love) 5:16 - hip-hop samba (with voice) (14) Grão de Areia (Grain of Sand) 3:37 - folkloric (with voice) Total 61:53
THE NOMINEES FOR THE 14TH INDEPENDENT MUSIC AWARDS
IN THE USA HAVE BEEN ANNOUNCED
- FIND YOUR PLACE - THE BILL MCBIRNIE TRIO -
Nominated in the Jazz Instrumental Category
The Bill McBirnie Trio (featuring Bernie Senensky on Hammond B3 organ and Anthony Michelli on drums) has been named by the Music Resource Group (MRG) as a nominee in the Jazz Instrumental Category of the 14th Independent Music Awards (IMAs), an influential awards program based in the USA for independent artists and releases the world over. Winners will be determined by a panel of prominent artist and industry judges (who will include this year, amongst others, Jane Monheit, Arturo Sandoval and Terry McBride).
In addition to winners selected by the judges, fans from around the world can vote at the Vox Pop Jukebox (up until Friday, July 31, 2015) and thereby participate in the fan-based part of the IMAs. To do so, just click here.
Following is some critical reaction to date to FIND YOUR PLACE:
- “There’s an effervescent, joyous quality to the dozen takes on Bill McBirnie’s Find Your Place (Extreme Flute)...Those new to McBirnie will be amazed at his inventiveness and the winning charm of this exceptional date.” MARK HOLSTON ( JAZZIZ, Spring 2014)
- “...McBirnie approaches this album as if he were a tenor player. The material is soulful and extroverted, the grooves are catchy and accessible...So put away any preconceptions about jazz flute and enjoy this exciting set. Everything works on this enjoyable outing...” SCOTT YANOW (Los Angeles Jazz Scene, Feb. 2015)
- “...McBirnie is at the top of his game, never faltering, not even for a nano-second. His playing recalls all that is most attractive and memorable in a great flute performance. So it is little wonder that he has been so highly praised by the great Sir James Galway...This may be one of the finest recordings of this year…” RAUL DA GAMA (Latin Jazz Network, Feb. 13, 2014)
GRAIN OF SAND
Bill McBirnie & Bruce Jones
Release Date: MARCH 2, 2015
Grain of Sand features Canadian flutist, Bill McBirnie, and Brazilian singer/songwriter, Bruce Jones. This new Extreme Flute project is decidedly different from Bill's more recent acoustic jazz recordings because, in addition to Bill's exceptional flute, alto flute and piccolo work, this recording project showcases the varied and remarkable talents of Bruce Jones in a wide range of essentially Brazilian formats (ranging from samba to ambient, from urban to jazz) including, of course, lots of Bill's extraordinary improvised flute work. All is imbued with an incantatory vibe and a genuine sense of continuity and flow.
Grain of Sand is scheduled for release at CDBaby, iTunes, Amazon.com (etc.) on MARCH 2, 2015.
EXTREME FLUTE - DESVIO
(A Bill McBirnie - Bruce Jones Collaboration)
NOMINATED FOR A TORONTO INDEPENDENT MUSIC AWARD
Bruce Jones and Bill McBirnie had the good fortune to be nominated (albeit belatedly) for a Toronto Independed Music Award (TIMA) in the Best Jazz or Instrumental category at the 2014 TIMAs. (The full roster of nominees is set out here.)
JAZZ VIEWS - CD Reviews - July 2014
BILL McBIRNIE TRIO - Find Your Place
The tenor sax, in consort with the Hammond organ, is one of the sexiest sounds in jazz; the lusty sax overlaying the silky, sensual harmonies of the organ and the voluptuous swell of its rich orchestral climaxes. It is a combination that has the potential to raise the hairs on the back of your head. Does it work as well if you exchange the sax for a flute? In this case, the answer is an affirmative "Yes!" because Toronto-based Bill McBirnie plays with an earthy potency and attack that is every bit as virile as the sound of the larger instrument, albeit with added silvery sophistication and breathtaking velocity.
With his fellow Canadians, he has put together an engaging program of pieces representing the entire jazz spectrum from songbook standards and swing thru to gospel, bop and Latin whilst also taking in the pop scene with a Beatles tune, “Oh! Darling”. As popular as the program might appear with familiar tunes like “So In Love” and “Estate” nestled amongst jazz standards such as “Sister Sadie” and Monk’s “Rhythm-A-Ning”, this is no anodyne, easy listening exercise because there is passion and invention in the playing that will whet the most fatigued jazz appetite. Indeed, McBirnie’s solos are melodic constructions of real musical substance with nary a wasted note and free of the arpeggiated padding which can become so wearisome.
McBirnie may be a name that is new to us, but he is (and hardly surprisingly) highly regarded within the flute fraternity, being a specialist advisor to Sir James Galway, the famed classical flautist. With recordings like this to testify to his talent, it can’t be long before his name becomes more widely known outside the specialist circles and the confines of his native city, taking up a place amongst the international elite of world-class players.
His trio companions also deserve mention. Bernie Senensky plays Hammond B3 in the best Blue Note tradition, divested of extreme vibrato and over repetitive riffing, whilst Anthony Michelli provides sure-footed support in the execution of the various rhythmic solutions applied to these excitingly fresh interpretations.
Definitely a fine recording that deserves to find a place in your collection.
Reviewed by EUAN DIXON
JAZZMONTHLY.COM - ARTIST SPOT LIGHT
Bill is the July 2014 subject of a JazzMonthly.com "Artist Spotlight" which includes an excellent review of FIND YOUR PLACE by JOE CAROSELLI ("...He and his trio explode...") You can read the review in full here!
NEW MusicSUBMIT INTERVIEW
Bill was recently the subject of a far-ranging, online interview (including questions about his background, his thoughts on music, jazz, teaching, etc.) You can have a look at the interview here! [NOTE: SIR JAMES GALWAY commented personally at the bottom, "Loved every word or it"!]
NEW RELEASE - THE BILL MCBIRNIE TRIO
(featuring Bernie Senensky & Anthony Michelli)
Bill McBirnie has just released a new album which departs, in a significant way, from his previously acclaimed acoustic jazz projects (Mercy with Robi Botos; Paco Paco with Bernie Senensky; and Nature Boy with Mark Eisenman).
In Find Your Place, Bill has placed the flute in an unlikely role…as part of an organ trio!…
For this singular format, Bill has recruited two outstanding fellow Canadian musicians—Bernie Senensky on Hammond B3 organ and Anthony Michelli on drums. In keeping with Bill's previous acoustic projects, Find Your Place combines a clear acoustic sonority with the natural ambiance of a blowing session.
On Find Your Place, the trio performs the following tunes:
(1) So In Love (Cole Porter) – Latin (2) Yes Indeed! (Sy Oliver) – for Sir James Galway – gospel (3) Sister Sadie (Horace Silver) – swing (4) Oh! Darling (Lennon/McCartney) – shuffle (5) Minority (Gigi Gryce) – bebop (6) Estate (Martino/Brighetti) – bossa nova (7) Jeannine (Duke Pearson) – swing (8) Gee Baby, Ain't I Good To You (Redman/Razaf) – ballad (9) Yes Or No (Wayne Shorter) – modal (10) Soy Califa (Dexter Gordon) – Latin/swing (11) Rhythm-A-Ning (Thelonious Monk) – swing (12) Find Your Place (Bill McBirnie) – for Svetlana - bossa nova [Do not hesitate to contact Bill directly regarding reviews or interviews about this new release.]
BILL DESIGNATED A NEW "HAYNES ARTIST"
Bill has never made a secret of the fact that he has played Haynes flutes for may years and now, after 125 years of superior flute making, the Wm. S. Haynes Co. designated Bill as a "Haynes Artist" along with one of his longstanding inspirations, Hubert Laws. It is also worth noting Bill's choice of Haynes flutes is the same as that of some of his earliest and most significant influences on the instrument including classical flutist Jean-Pierre Rampal, jazz flutist Herbie Mann, and fellow Canadian flutist Moe Koffman.
WINNER IN THE JAZZ FLUTE SOLOIST COMPETITION
(FROM THE 2012 NFA CONVENTION IN LAS VEGAS)
Bill has been selected as a winner in the inaugural Jazz Flute Soloist Competition at the 40th annual National Flute Association (NFA) convention, held August 9-12 in Las Vegas, Nevada (…thereby ensuring some "Canadian content" in the course of the proceedings…)
Bill has also been a past winner in the NFA Jazz Flute Masterclass Competition (2003) and the NFA Jazz Flute Big Band Competition (2009).
[NOTE: The NFA was founded in 1972 in the USA and is international in scope. It has grown to become one of the largest instrumental organizations in the world (and certainly the largest with respect to the flute) with more than 6,000 members from more than 50 countries. The NFA Jazz Flute Soloist Competition, held for the first time this year, is to be conducted on a biennial basis hereafter.]
NEW RELEASES FROM FOUR 80 EAST - OFF DUTY
I just got a chance to play on Four80East's new release, Off Duty. This is the sixth album for a band has been together 15 years, during which time it has been at the forefront of the so-called 'nu jazz movement'. So, of course, it was a real honour to get this call! You can purchase Off Duty as well as listen to FULL streams of ALL of the tracks on this really cool release if you just click here.
…And, while your listening, here are a couple of initial responses from the critics regarding two of the tracks…
- "…Some of the unique sounds on this new release come from the duo’s spirited interactions with flutist, Bill McBirnie, and longtime Four80East contributors Jon Stewart (saxophones) and Bryden Baird (trumpet)…The crisp and funky opening electro-jazz track,'THE WALKER',…features a standout flute element…'IN THE HIDDEN GARDEN' uncovers a host of chilled-out delights from a colorful Rhodes melody over a hypnotic groove to Baird’s muted trumpet melody and McBirnie’s whimsical flute solo…" JONATHAN WIDRAN, JazzMonthly.com
- "…Kicking the party off is THE WALKER with a flash-fried, funkalicious groove incorporating a hip-hop beat with programming that is used to incredible effect. As one that has a tendency to keep most things 'contemporary' at arms length, I love this! Bill McBirnie delivers the goods on flute with infectious solos and a deceptively subtle techno/house vibe that is guaranteed to make your musical back leg shake. The most creative work to come out of the contemporary side of jazz in years…" BRENT BLACK, @criticaljazz
BILL MCBIRNIE NOMINATED FOR AN IMA IN THE USA
Bill's recent release, Mercy, has been nominated in the USA for the 10th Annual Independent Music Awards (IMAs) in the best Jazz Album category.
Based in the USA, the IMAs are international in scope with submissions from 70 countries across six continents. Bill is the sole Canadian amongst the remaining American nominees in the Jazz Album category.
Both the IMA nominees and winners are determined on the basis of artistic merit and this year's judges in the Jazz category include McCoy Tyner, Arturo Sandoval and Lee Ritenour.
The IMA also provides a Vox Populi jukebox where you can listen to all of the nominees and vote for your favourite. You can read an interview with Bill and listen to a complete sample track from Mercy here.
With respect to Mercy, the IMAs selected the track, "I'm Walkin'" (the old Fats Domino hit), which features Bill on flute, Robi Botos on piano, Pat Collins on bass and John Sumner on drums.
You can now get a free download of the track, "Gee Baby, Ain't I Good To You", from Bill's most recent album entitled, Find Your Place. All you have to do to access this free download at ReverbNation is to click here.
THE BILL MCBIRNIE DUO/QUARTET
(featuring Robi Botos)
Following up on his two previously acclaimed acoustic projects (Nature Boy with Mark Eisenman and Paco Paco with Bernie Senensky), “extreme flutist”, Bill McBirnie, has come out swinging and scintillating once again with yet another exceptional acoustic flute release, Mercy.
On Mercy, Bill joins forces with Romani piano sensation, Robi Botos, for a series of duos and, for the remaining quartet pieces, Bill couples Robi with a steadfast rhythm section consisting of the sure-footed Pat Collins on bass and the rock-solid John Sumner on drums.
Mercy presents a diverse—as well as gratifying—mix of both duo and quartet tracks that run the gamut from bebop (“Yardbird Suite”) to bossa nova (“Gentle Rain”) right through to Dixieland (“Way Down Yonder in New Orleans”). Included with the more standard fare is the title track, “Mercy”, a poignant rhapsody written by pianist, Robi Botos.
In keeping with Bill’s previous two Extreme Flute releases, Mercy remains faithful to the spontaneous and down-to-earth qualities of a blowing session resulting in another album with inevitable “drop-the-needle-anywhere” charm and allure.
Mercy clocks in at 60:00 minutes and, in so doing, provides precisely one hour of great listening with repertoire that consists of the following (including the opening two tracks which pay tribute to Bill's longstanding influences, Hubert Laws and Jeremy Steig respectively):
(1) Baila Cinderella (Hubert Laws) – for Hubert Laws - cha cha cha
(2) Willow Weep For Me (Ann Ronell) – for Jeremy Steig - ballad
(3) Airegin (Sonny Rollins) – bebop
(4) Stuffy Turkey (Thelonious Monk) – medium swing
(5) Gentle Rain (Louis Bonfa) – slow bossa nova
(6) I’m Walkin’ (Bartholomew/Domino) – medium swing
(7) Yardbird Suite (Charlie Parker) – bebop
(8) Way Down Yonder In New Orleans (Creamer/Layton) – Dixieland
(9) Moment’s Notice (John Coltrane) – up swing
(10) Minha Saudade (Joao Donato) – medium bossa nova
(11) Groovin’ High (Dizzy Gillespie) – bebop
(12) Mercy (Robi Botos) – slow rhapsody
Mercy is now available at at CDBaby and iTunes.